SOMETHING BUBBLED, SOMETHING BLUE
“ …Talk is Free Theatre and Outside the March collaboration that took place in Barrie, Ont., on Sept 12, has garnered some of the most oohs and aahs so far.” | Nestruck, Globe and Mail
“Created by director Mitchell Cushman, designer Anahita Dehbonehie and choreographer Cameron Carver, the performance imagines a gorgeous fantasy of a coronavirus-friendly outdoor wedding, featuring all the party members housed in their own literal bubbles- those giant plastic inflatable orbs known as Zorbs.” | Nestruck, Globe and Mail
CABARET
“…this hit musical is a brilliant artistic achievement at every level..
★★★★★ London Free Press
“Cameron Carver’s choreography appears loose, casual and slightly chaotic, yet is dependent on precise, fluid and timely movement given the intimate confines.”
SWEENEY TODD
“…a huge success that certainly rivals Punchdrunk on every level.”
★★★★★ Broadway World | ★★★★ The Londonist
“I’ve rarely seen a musical that moved me emotionally as much as Sweeney Todd, and never one that has moved me so physically. Cameron Carver’s expert physicality in an intensely intimate, active production balanced the spectacle that the music calls for with illuminating detail that you catch up close. It beckoned and horrified at the same time.” | Toronto Star- Carly Maga
A cast who exceeds expectations, clever writing and direction, and a remarkable and unanticipated musical production make the all-day experience a huge success that certainly rivals Punchdrunk on every level. | Broadway World
“Now from Canada comes Talk is Free Theatre’s The Curious Voyage, and on a grand scale that threatens to knock Punchdrunk off the top spot. “ | The Londonist
LITTLE MERMAID
"It knocks both Hans Christian Andersen and
Disney out of the ocean." | THE GUARDIAN
★★★★★ The Stage | ★★★★★ StageTalk Magazine | ★★★★ Life as theatre
"As with the best of Sally Cookson and Kneehigh, Little Mermaid is an edifying, imaginative and passionate piece of family theatre. It’s absolutely in need of a 2018 transfer." | The Stage
"Emma Earle and Cameron Carver’s production for Pins and Needles, played out on Zoe Squire’s atmospheric design, which seamlessly moves from the shipwrecked underwater kingdom to 1980s Torquay, is light and witty, with fans used as fins. " | The Guardian
"Her ascent is choreographed in breathtaking style in Emma Earle’s and Cameron Carver’s production, bodies and sheets and lights coming together to enchant. She breaks through the waves and muted blues make way for dazzling light. " | Life as Theatre
"A genuinely modern, progressive production.... Little Mermaid a coming of age story in which adulthood is marked not by marriage but personal growth, falling in love is about the person not their gender, and happy endings aren’t rushed into." | Children's Theatre Reviews
"Co-directors, Emma Earle and Cameron Carver have packed their allotted time with invention, charm and wit with hardly a second left unattended. Simple devices act as sparks in a powder keg to the imagination. Conventions such as the use of fans for flippers and fins are meticulously applied with never a hint of the slapdash that could have blurred the clarity of vision." | StageTalk Magazine
"It’s a gorgeous, generous, love-filled treasure trove of a show that will stay with you and your family for many years to come." | B24/7
LA STRADA
★★★★★ Culture Vulture | ★★★★★ Plays to See | ★★★★★ The Art Shelf | ★★★★★ Oxford Times |★★★★★ Bristol Post | ★★★★★ Stage Talk Magazine | ★★★★★ About Milton Keynes | ★★★★★ What's Good to Do
★★★★ Guardian | ★★★★ The Evening Standard | ★★★★ The Observer | ★★★★ The Daily Express | ★★★★ What's On | ★★★★ The Stage | ★★★★ Broadway World | ★★★★ Female Arts | ★★★★ London Theatre
"Movement Director Cameron Carver must be lauded for the incredible fluidity and synchronicity of movement, often as though the cast is being one. A scene where the ensemble plays the circus performers putting on their makeup is particularly beautiful. " | Broadway World
"Cameron Carver's movement picks up feelings and amplifies them, be it the spinning bodies of a crowd or the twitchiness of Gelsomina's anxiety." | What's Onstage
"... the production is beautifully crafted thanks to movement director Cameron Carver who makes inventive use of minimal props and some simple but effective choreography." | Radio Times
"...Cookson's fluid direction and, above all, Cameron Carver's inventive choreography offer ample compensation advancing the plot." | Express
"The movement, created under the direction of Cameron Carver, waxes and wanes physically over the stage creating a sense of timelessness and impermanence." | About Milton Keynes
"It is difficult not to be captivated by this performance, at once complex yet simple, the action under the direction of movement director Cameron Carver, flows continuously across the stage." | The ReviewsHub
"The movement, directed by Cameron Carver, was always exciting, and the opening scene with the ensemble representing the sea, worked perfectly, and, along with other set pieces especially the motorbike scenes, put me in mind of early Berkoff." | Stage Talk Magazine
"Cookson and movement director Cameron Carver offer a masterclass of stagecraft and theatrical ingenuity that moves effortlessly from one stunning visual to the next without ever feeling showy or flamboyant." | London Theatre
"Carver's movement, in particular, is often magical and lovely..." | BritishTheatre.com